Works on Paper Silkscreens (Selection)

Everything I create is deliberately ambiguous. I want to guide you to look carefully, attentively, fully. My goal is to inspire you to look not just at all that is, but all that can be.
Since this stencil technique is best for what I want to express (I prefer to working with a squeegee than brushes), I can use my photo-narratives to create new compositions that are predominantly an abstraction of what I have seen  in reality.  The result is an independent version of my initial idea.
A painting on canvas or paper can take 50 to 200  steps, starting from draft to the final version.  On average,  I usually print four colors per day (with the help of my screen-printing Master Alexander Georg Fischer).

Explorers love to consider emotions as cognitive tools, they are open to new concepts to get into places suggested not only by the fascination of unknown countries and new geographical areas, but by introspection. The travel sculptures and drawings by the German artist Friederike Oeser arise from exploration: they are itineraries of emotions, of encounters with people and objects, forms and ideas, colors and sounds.

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